Originally posted on The Genealogy of Style.
When Eugène Delacroix died on August 13, 1863, the modesty of his funeral was seen as an insult by all those who considered him to be one of France’s greatest artists. Henri Fantin-Latour, especially, was outraged that no official tribute had been made. As it was common in the 19th century to celebrate prominent figures, he wanted to raise this monument himself with a manifesto painting that reunited the tenants of the modern movement, which he exhibited at the Salon of 1864. This sketch bears witness to the first project, in which six artists are gathered around the bust of Delacroix, crowned by one of them.
While it is clear that Fantin made deliberate reference to the coronations of the great men of theater on stage, the most striking source of inspiration for this artwork remains the…
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