llmanI presented this paper at the Fan Studies Conference at UEA (4-5 July, 2015). The conference was excellent. Fellow On/Off Screen contributors Bertha Chin and Rebecca Williams are on the FSN board, and both Rebecca and Lori Morimoto presented papers at the conference. My attendance was funded by the Birmingham Centre for Media and Cultural Research, where I´m part of the Body Genres research cluster (formerly Screen Cultures).
I´m currently working on a larger multi-text and multi-sited study of online audience engagement with screen comedy, and in this paper I´d like to focus on one of the issues I´m exploring, which is the role of comic distance. This concept informs a lot of academic work on comedy and it´s about how comedic texts use various strategies to distance audiences from the portrayed events, so that we can laugh when things go wrong, rather than just feel sorry for characters…
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